ArchivesSpace at the University of Iowa

BALL WEB 2014: Canadian painter's memoir based on her journals. Caruso writes with insight about the experience of making and exhibiting her paintings, drawings and prints. Among th e many artists appearing in this memoir are painters Carol Martyn, Milly Ristvedt, David Bolduc, Jim Gordaneer, Roy Kiyooka, Greg Curnoe and French painter Claude Yvel; sculptors Robert Downing and Henry Saxe; art dealers David Mirvish, Alkis Klonar idis, Carmen Lamanna, Julianne and Stephen Gadatsy, Jack Pollock, Lynne Wynick and Dave Tuck; and among poets, Nelson Ball, Victor Coleman, bpNichol, Bill Hawkins, David Rosenberg, Michael Ondaatje and David McFadden. Weed Flower Press, Coach House Press and Caruso's Seripress also appear. -- Source of annotation: Marvin or Ruth Sackner.

BALL WEB 2014: Canadian painter's memoir based on her journals. Caruso writes with insight about the experience of making and exhibiting her paintings, drawings and prints. Among th e many artists appearing in this memoir are painters Carol Martyn, Milly Ristvedt, David Bolduc, Jim Gordaneer, Harold Klunder, Greg Curnoe and Claude Breeze; media artist Vera Frenkel; sculptors Peter Kolisnyk and Henry Saxe; art dealers Alkis Klon aridis, Julianne and Stephen Gadatsy and Jack Pollock; and among poets, Douglas Barbour, Doug Fetherling, Nelson Ball, bpNichol, Steve McCaffery, David Aylward, Mike Doyle, P.K. Page and Stephen Scobie. Caruso also writes about her literary small pr ess Seripress. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides a partial listing of all documents dealing with Manzoni as well as books by Caruso and Villa. -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: Wording the Silent Art collects Barbara Caruso's essays on the contemporary art scene, including controversial issues like the National Gallery's purchase of Barnett Newman's Voice of Fire and the recent transformation of public galleries from institutions of preservation to places of pop entertainment and the effect this has on art. She also writes with elegance and verve on the subject of her own painting, on painting practice, and on how to look at visual art. Her generous and wise advice to a young painter is worth the price of this book alone. Caruso's is a unitary, clear, communicating voice, and she brings to the reader a marvellous and accessible vision of the essential nature of art in our lives. -- Source of annotation: Marvin or Ruth Sackner.